![]() ![]() Frutiger lived near Bern, Switzerland, and was very interested in woodcuts. Art director for Editions Hermann, Paris 1957 to 1967. He established his own studio in 1962 with André Gürtler and Bruno Pfaftli. He closely cooperated with Linotype-Hell AG, after having been artistic director at Deberny-Peignot in Paris since 1952. Typefaces from 2019: Artie Deco, Marie Jeanne.įamous type designer born in 1928 in Unterseen, Switzerland, who died in September 2015. Typefaces from 2018: Thickness (hand-drawn), Chisel Brush, Dot to Dot, Dot To Dot Cursive (dotted line font, perhaps for teaching children in school). ![]() Typefaces from 2017: Down With The King (a great techno headline typeface). Typefaces from 2016: Etymon (Skyline style), Big Trees (Victorian, Western), Igor (a beatnik style font). Typefaces from 2015: El Guapo (a handcrafted typeface co-designed with Erin Solomon), Nervy, Current (thin connected script). Typefaces from 2014: Art Party (a festive hand-drawn typeface co-designed with with Erin Solomon), Carawan (a rounded sans family), Back and Forth, Fat Nib (splatter brush face), Smoot (whimsical typeface). Typefaces from 2013: Benthic (decorative geometric caps), Tubbs (a beefy poster face), Dot To Dot (a dotted and lined pair of school fonts), Emjay (sketched blackboard bold typeface). In 2012, he made Quarry (an outlined hand-drawn shadow font), Holt Sans (a Peignotian family), Unstable Slab, Mitosis (using bubbly dots), Radial (prismatic), and Airwave (techno). A New Machine created the beautiful hairline hand-printed typeface Hair Line ( 2011), Sweck Sans (2011, a sans with some contrast and a large x-height), Unstable (2011, a paper cut face), the sketch typeface Crosshatch ( 2011), and the modular FontStruct-like typeface Model UR (2011). ![]() TYPE DESIGN INFORMATION PAGE last updated onįoundry, est. ![]()
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